Öl auf dem Segeltuch,das echte Aroma von alten Meistern

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Hans Holbein

      German 1497-1543 Hans Holbein Galleries

Hans Holbein The Ambassadors painting


    Die Botschafter
   Hans Holbein12.jpg
Gemälde IDENTIFIZIERUNG::  2432
  1533 Die Nationale Galerie, London
   
   
   

Hans holbein the younger

      b. 1497, Augsburg, d. 1543, London

Hans holbein the younger The Ambassadors painting


    Die Botschafter
   new9/Hans holbein the younger-994844.jpg
Gemälde IDENTIFIZIERUNG::  33522
  der Tempera von mk86 1533 auf Holz 207x209.5cm London,Nationale Galerie
   
   
   

Hans holbein the younger

      b. 1497, Augsburg, d. 1543, London

Hans holbein the younger The Ambassadors painting


    Die Botschafter
   new12/Hans holbein the younger-582748.jpg
Gemälde IDENTIFIZIERUNG::  40354
  das Öl von mk156 1533 auf Eichen 207x209.5cm
   
   
   

Hans holbein the younger

      b. 1497, Augsburg, d. 1543, London

Hans holbein the younger the ambassadors painting


    the ambassadors
   new20/Hans holbein the younger-367588.jpg
Gemälde IDENTIFIZIERUNG::  56014
  mk247 1533,oil on oak panel,81.5x82.5 in ,207x209.5 cm,national gallery,london,uk
   
   
   

HOLBEIN, Hans the Younger

      German painter (b. 1497, Augsburg, d. 1543, London).

HOLBEIN, Hans the Younger The Ambassadors painting


    The Ambassadors
   new21/HOLBEIN, Hans the Younger-424346.jpg
Gemälde IDENTIFIZIERUNG::  63714
  1533 Oil on oak National Gallery, London No preparatory drawings survive for The Ambassadors, nor is it clear how the commission for the work came about. Only the character and employment of the sitters are known. The identification of Jean de Dinteville has been aided through a portrait drawing by Jean Clouet of about the same date as the painting. Though Holbein's style changed little over the course of his career, the subtlety and opulence of the colours in this work are different from the starker tonalities he used in Basle. The green backdrop and the pink slashed shirt of the diplomat add a zest which is further enhanced by the juxtaposition of different textures of silk and woven cloth. Like Titian, Holbein was an assured painter of fur (a crucial ability for a court painter) and the contrast between the soft ermine and the glistening metal chain serves as a rich textural counterbalance. The intense realism Holbein achieved here was due to his prodigious visual memory and refusal to let either draughtsmanship or the application of paint alone dominate the execution.Artist:HOLBEIN, Hans the Younger Title: The Ambassadors (detail) Painted in 1501-1550 , German - - painting : portrait
   
   
   

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